Although I enjoy photographing unusual (and ordinary) people, my real joy of photography takes me out to unusual or beautiful locations to photograph objects or landscapes, sometimes even an “urbanscape” is worthy of capture too. Regardless, not every capture can come “straight out of camera” exactly as you wish. In fact, most of the time I see what I want from the image but know that their is no reasonable way I can get what I see in a single exposure. At the same time, I know I can easily set up and capture a bracket and make an HDR from it, more often than not, I can easily get a SINGLE exposure and do some extreme editing to get the very most detail and color out of the camera RAW file as possible.
Needless to say, that is what this video tutorial is about. Although it’s not my very best work, I felt it was a worthy image and I was working on it already since I captured this image just the night before.
On to the video! Read more…
I’m already hearing the confusion from a number of people reading this. “What’s Pixel Bender?” or “What’s a Fixel?” Well, that is what this post is about.
First off, I want to say that before I came across the Fixel plug-ins for the “Pixel Bender” plug-in for CS5, I only had a vague knowledge of the Pixel Bender myself. So now that we are all starting on the same page, lets get going…
With so many months of the Lightroom 3 beta, many users were starting to wonder when the full version would be available. It appears our wish has been granted.
Yep, no more need for a separate plug-in based software to handle correcting for lens distortions! Can we say ABOUT TIME Adobe?! But it is worth the wait… Check out the video, click in for the link.
Getting good color can sometimes be a difficult task, but if you follow some of these steps and use the tricks I explain in this post you can make color correction a much easier task.
Everyone has their own personal preference on what is “good color”. Some people prefer warmer skin tones and overall deeper, richer colors. (This is my own personal preference.) While others may prefer cooler skin tones with little or no yellow or red cast or low contrast bright images or very over saturated color or who knows! This is why learning to correct your color to your preference is ideal as nobody but yourself can get the color exactly how you want it and save a few dollars on lab fees for color correction.
Then again, some people wouldn’t know what good color is if it hit them in the head. Let’s be honest…. If that person is you, you can read on but you are probably better off sending your files to the lab as-is. Bad corrections can sometimes be more damaging than sending files with poor color straight out of the camera.
Adobe Lightroom 3 Beta 2 is now currently available for download and trial. This version of the public beta includes the following changes and improvements:
Click through for the full details.
I’m sure you’ve encountered this problem before. Lighting conditions that are so bad that even a custom white balance in camera simply cannot fix. And you don’t have time or perhaps don’t have the skill to correct for these color errors on your own in post production. Even if you do, it’s not time well spent. Instead, here is how you get the best color from these extreme lighting conditions.